T

CHARLES TAUSS

1927 - 2000

"IN THE FAMILY: TERRESTRIAL"

OIL ON PANEL, SIGNED, DATED 1972

30 X 30 INCHES

 

"TESSELLATED ARCH: GOSSAMER SUMMER"

ACRYLIC AND LATEX ON WOOD FIBER PANEL, SIGNED, DATED 1975

32 X 48 INCHES

"TESSELLATED ARCH: GROTTO"

ACRYLIC ON CANVAS COVERED FIBERBOARD PANEL, VARNISH PVA

SIGNED, DATED 1972

12 X 18 INCHES

 

"IN THE FAMILY: SANTIAGO"

LATEX ON PANEL, PVA VARNISH, SIGNED, DATED 1971

60 X 39 INCHES

"CHROM PSKOV"

OIL ON FIBERBOARD PANEL, SIGNED, DATED 1973

48 X 42 INCHES

 

"SERAPHIM: AUREOLE"

ALKYD RESIN AND METAL, VARNISH PVA, SIGNED, DATED 1972

10 X 10 INCHES

"STUDY FOR SERAPHIM, CLEAR BLUE LIGHT"

ALKYD RESIN ON LATEX, VARNISH PVA,, SIGNED, DATED 1972

10 X 10 INCHES

 

"STUDY FOR BETTY MIRRORED 1"

ALKYD RESIN, SIGNED, DATED 1972

12 X 11 INCHES

"UNTITLED"

ACRYLIC ON CANVASBOARD, SIGNED, DATED 1970

16 X 12 INCHES

 

"CHRYSOCULUS"

MIXED MEDIA ON WOOD FIBER PANEL, SIGNED, DATED 1973

27 X 21 INCHES

"STUDY FOR BOXFOLD: DOCUMENT"

OIL AND ALKYD RESIN, VARNISH PVA, SIGNED, DATED 1971

15 X 12 INCHES

 

"UNTITLED"

ALKYD RESIN, SIGNED, DATED 1968

17 X 17.25 INCHES

"SERAPHIM: SOPHIA"

ALKYD RESIN WITH PVA VARNISH, SIGNED, DATED 1972

10 X 10 INCHES

 

"INTERLACED: GIZAH"

LATEX ON WOOD FIBER PANEL, SIGNED, DATED 1974

15 X 15 INCHES

"STUDY FOR AZURE PORTCULLIS"

OIL AND ALKYD RESIN, VARNISH PVA, SIGNED, DATED 1971

15 X 12 INCHES

CHARLES TAUSS

1927-2000

Charles Francis Tauss was born on March 10, 1927. A lifelong New Yorker, Tauss was an artist, collector, and conservator.

A veteran, Tauss served in the Army of Occupation in France and Germany from 1945 to 1947. He painted his first work, “Victory Garden” in 1947. This painting is in the collection of the New York Historical Society.

He earned a Masters in Art and History from Yale University in the 1950s. While at Yale, Tauss was a student of and studio-assistant to Joseph Albers. The effects of this relationship are easily visible in Tauss’ geometric works and his experimental use of different varnishes and finishes on his paintings. Like Albers, Tauss was known to meticulously list the specific varnishes he used on the backs of his works. Tauss’ style of work incorporates European influences from the constructivists and the Bauhaus movement, but is mostly characterized by the American ‘Hard-edge’ abstract school of painting of the late 1950s and 60s. Tauss exhibited many of these works the early and mid 1970s at Ward-Nasse Gallery in SoHo.

Tauss was also a world-class conservator and restoration expert in the field of Byzantine Art and Frescoes. Tauss participated in the work of the Byzantine Institute of Dumbarton Oaks, a branch of Harvard University. He developed a 14-step process to remove the whitewash covering that had obscured frescoes in some of the most famous churches and building in the world, including Chora Church and the Hagia Sophia in Istanbul.